// By: Oscar Adame
Fri September 7, 2018
Foto: Tim Mosenfelder/ Getty Images
Through their social networks, the concert series known as Art of Score confirmed that the next September 12 and 13 will present the live music of Paul Thomas Anderson’s film, There Will Be Blood (2007), at David Geffen Hall in New York.
The New York Philharmonic Orchestra will perform from start to finish the acclaimed soundtrack composed by Radiohead’s Jonny Greenwood for the film, marking the first in a series of four collaborations the musician has had with the film director.
This was Jonny Greenwood’s first big job as a soundtrack composer. Although in the past he had already contributed a couple of songs for BBC commercials and television series such as Bodysong (2003)It wasn’t until Paul Thomas Anderson contacted him to make this soundtrack that he began to earn a name as one of the best musicians in the audiovisual industry.
The guitarist first rejected the project, saying that he did not know how to score the script, however Anderson did not give up and decided to show him the finished film prior to its premiere. Greenwood composed the music in a month and in no time it became one of the most acclaimed elements of the film, which has come to be considered by The New York Times magazine as the Best Picture of the Millennium.
The soundtrack, made up of eleven instrumental songs, was influenced by the work of post-modern composers such as Steve Reich’s minimalism and the sonorous and inharmonious chaos of Krzysztof Penderecki, whose masterpiece ‘For The Victims of Hiroshima’ was used within the film, like ‘Vivace ma non trompo’ by Arvo Pärt. It is a work whose focus is to generate tension with long high strings and sudden changes in harmonies.
«I don’t think I wanted to make music that sounded like a certain era, if I had it would be something traditional. I just think you can do really sinister things with a classical orchestra, the traditional can also be uncomfortable“Greenwood told Entertainment Weekly shortly before the soundtrack was nominated for a Grammy.
In March Jonny Greenwood decided to reveal his latest material, a new soundtrack that was written to accompany Lynne Ramsay’s new film, which is titled You Were Never Really Here (2018).
Through 14 pieces, Jonny displays his most eclectic work to date. He had us accustomed with his collaborations with Paul Thomas Anderson to long instrumentals created by string quartets, full of dissonances and intense fires.
This material arrived a few months after his work for Phantom Thread (2017), an Academy Award-nominated film for which Jonny achieved his first nomination for Best Score, and was also named in awards such as the Boston Society Film Critics, the Chicago Film Critics Association and the Golden Globe.
The material is strongly influenced by the work of the minimalist Erik Satie, with piano melodies that keep structures similar to those used by the Arvö Part, which are joined by long landscapes of strings performed by The London Contemporary Orchestra and the Royal Philharmonic Orchestra.
This work marks the composer’s fourth collaboration with Paul Thomas Anderson, after Inherent Vice (2014), The Master (2012) already highly acclaimed There Will Be Blood (2007).
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The New York Philharmonic to perform Jonny Greenwood’s soundtrack for There Will Be Blood